Lip Plate Tradition - Stick Fighting Champions - Body Art Masters
The Surma (also called Suri) are a Nilotic agro-pastoralist people inhabiting the remote southwestern highlands of Ethiopia and the border regions of South Sudan, numbering approximately 200,000-300,000 people. They are internationally renowned for the dramatic lip plates (dhebi a tugoin) worn by womenālarge clay or wooden discs inserted into a cut in the lower lip, which can reach 12-15 cm in diameter. The Surma speak Surmic languages belonging to the Eastern Sudanic branch of Nilo-Saharan. Living in one of Africa's most isolated regions, the Surma maintained cultural autonomy until recently, practicing traditional religions, elaborate body decoration, and ritual stick fighting (donga). They combine cattle herding with cultivation of sorghum and maize in the fertile highlands. The Surma territory in the lower Omo Valley is characterized by dramatic landscapes, seasonal flooding, and rich biodiversity. Despite increasing external contact, the Surma preserve distinctive cultural practices including body painting, scarification, and ceremonial warfare.
The lip plate (dhebi a tugoin) represents the Surma's most internationally recognized cultural practice. The process begins around age 15-20 when a girl's lower lip is cut by her mother or another woman. A small wooden peg is inserted, then progressively larger plates over months or years stretch the lip. Plates are made from fired clay, decorated with intricate designs, or carved from wood. Women remove plates when eating or sleeping, and insertion requires skillāthe stretched lip must be folded to accommodate the large disc. Traditionally, larger plates correlated with higher bride-wealth, though this practice is changing. The origin of lip plates is debatedāsome oral traditions claim it began to make women unattractive to slave raiders, others see it as beauty enhancement or social status marker. Importantly, the practice is not universalāsome Surma women choose not to undergo it, and attitudes are evolving. The Surma also practice scarification, with raised scars creating patterns on torsos and arms, and elaborate body painting using natural pigments from clay, ash, and plants.
Donga (ceremonial stick fighting) is a crucial Surma cultural institution. Young unmarried men compete in ritualized combat using long wooden poles (donga), attempting to knock opponents down while demonstrating courage, strength, and fighting skill. Fighters wear minimal protectionāperhaps a wrist guard or groin protectionāand injuries are common, sometimes fatal. Donga tournaments occur after harvest season, bringing together villages for multi-day celebrations. The champion (winner of the tournament) gains tremendous prestige and becomes highly desirable to potential wives. Donga serves multiple functions: entertainment, courtship display (women watch and choose partners based on performance), conflict resolution mechanism (settling disputes through formalized combat), and warrior training. While criticized by outsiders for violence, Surma defend donga as essential cultural practice teaching bravery, self-discipline, and community bonds. The Ethiopian government has attempted to ban donga, with limited successāthe practice continues in remote areas.
The Surma practice mixed agro-pastoralism, combining cattle herding with cultivation. Cattle hold immense cultural and economic importanceārepresenting wealth, providing milk and blood for sustenance, serving as bride-wealth, and featuring in religious ceremonies. Men focus on cattle management, taking herds to seasonal grazing areas, while women cultivate crops including sorghum, maize, and beans in highland areas with better rainfall. The Surma developed sophisticated flood-retreat agriculture along the Omo River, planting crops in nutrient-rich silt deposited by seasonal floods. This system sustained populations for generations but is now threatened by Ethiopian government dam construction on the Omo River, which disrupts natural flooding patterns. The Surma also practice hunting, gathering wild foods, and honey collection. Beekeeping using traditional hives provides honey for food and tej (honey wine). Resource management required careful cooperation between clans and age-sets.
Surma society organizes through patrilineal clans and age-sets, with elders holding decision-making authority. Unlike centralized states, Surma lack paramount chiefsāauthority is dispersed among clan heads and ritual specialists. The komoru (rain priests) hold spiritual authority, conducting ceremonies to ensure rainfall and agricultural fertility. Traditional Surma religion is animistic, venerating Tumu (the sky god) and various spirits inhabiting natural featuresārivers, mountains, large trees. Ancestor spirits require respect and offerings. Ritual specialists divine causes of illness, predict future events, and mediate between human and spiritual realms. Life cycle ceremonies mark birth, initiation (including lip plate insertion for girls and donga participation for boys), marriage, and death. Marriage involves elaborate bride-wealth negotiations, typically paid in cattle, with polygyny common among wealthy men.
The Surma face dramatic contemporary challenges. The Ethiopian government's Gibe III Dam on the Omo River has devastated traditional flood-retreat agriculture, forcing sedentarization and creating food insecurity. Government development schemes, including forced villagization and sugar plantation establishment, displaced Surma communities from ancestral lands. Cultural tourism has become economically significant but controversialātourists pay to photograph Surma people, particularly women with lip plates, creating economic dependency while some Surma feel exploited. Photography fees provide income but raise concerns about dignity, consent, and cultural commodification. Armed conflict with neighboring groups (Nyangatom, Dizi, Me'en) over cattle and grazing land intensified with automatic weapons availability. Evangelical Christian missions work to convert Surma, discouraging traditional practices like lip plates and donga. Despite pressures, many Surma maintain cultural practices and resist complete assimilation. Young people navigate tensions between traditional culture and modern education, Christianity versus traditional religion, and isolation versus integration into Ethiopian national society. Some Surma leaders advocate for cultural preservation while others embrace change, creating generational and ideological divisions within communities.