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The Mazahua People

Masters of Embroidery - Guardians of Otomí-Mazahua Traditions - Women of Colorful Rebozos

Who Are the Mazahua?

The Mazahua are an indigenous people primarily inhabiting the northwestern State of Mexico and eastern Michoacán in central Mexico. With approximately 326,000 speakers of the Mazahua language (part of the Otomanguean family), they represent one of Mexico's significant indigenous populations. The Mazahua are renowned for their extraordinary textile arts, particularly their elaborately embroidered blouses and colorful rebozos (shawls) that feature intricate floral and geometric patterns. Historically, the Mazahua controlled important agricultural lands in the fertile valleys between the Toluca Basin and Michoacán. Their name derives from "Mazatl Hua," meaning "people of the deer" in Nahuatl, reflecting their ancient totemic connections. Despite centuries of marginalization and the flooding of their traditional lands for Mexico City's water supply, the Mazahua have maintained remarkable cultural resilience, preserving their language, traditional dress, and agricultural practices.

326,000Language speakers
OtomangueanLanguage family
State of MexicoPrimary homeland
EmbroideryRenowned craft
Textile Masters: Mazahua embroidery is so intricate and colorful that each blouse can take months to complete! The traditional chincuete (blouse) features elaborate cross-stitch embroidery with silk threads in vibrant pinks, blues, yellows, and greens, creating stunning floral patterns that identify the wearer's community.

Traditional Textiles and Embroidery

Mazahua women are celebrated as some of Mexico's finest embroiderers, creating spectacular chincuetes (traditional blouses) and rebozos adorned with complex floral motifs, birds, and geometric designs. The embroidery technique uses cross-stitch and satin stitch on handwoven cotton or commercial fabric, with silk or cotton threads in brilliant colors. Each region has distinct patterns—some favor large roses, others prefer small repeated flowers. The traditional dress also includes wrap-around skirts (chincuetes de enredo) woven on backstrap looms with blue and white stripes. Mazahua rebozos are particularly prized for their fine weaving and elaborate fringes. This textile tradition serves as cultural identity marker, economic activity, and artistic expression passed from mothers to daughters across generations.

Agricultural Traditions and Land Struggles

The Mazahua traditionally practiced milpa agriculture, cultivating corn, beans, and squash together in the time-honored Mesoamerican system. They developed sophisticated knowledge of local ecology, growing diverse maize varieties adapted to highland conditions. However, Mazahua communities faced devastating displacement when the Mexican government constructed the Miguel Alemán Dam system in the 1940s-1950s, flooding extensive agricultural lands to provide water for Mexico City. This environmental injustice forced thousands of Mazahua families from their ancestral territories. Today, Mazahua farmers continue cultivating traditional crops while also producing commercial vegetables and flowers. Many Mazahua women have become prominent in movements for water rights and indigenous territorial sovereignty.

Language and Oral Traditions

The Mazahua language (Jñatrjo or Jñatjo) belongs to the Otopamean branch of Otomanguean languages, closely related to Otomí. It has two main dialects: Eastern (State of Mexico) and Western (Michoacán). Mazahua is a tonal language with complex verb morphology. Despite modernization pressures, Mazahua maintains vitality in rural communities where it serves as the primary language of daily life, agriculture, and ritual. Oral traditions include narratives about creation, the origin of corn, and stories explaining natural phenomena. Traditional songs accompany agricultural rituals, weddings, and festivals. Elders preserve knowledge through oral transmission of herbal medicine, agricultural techniques, and community history.

Spiritual Practices and Syncretism

Mazahua spirituality blends pre-Hispanic beliefs with Catholicism in a rich syncretic tradition. Agricultural rituals honor earth deities and request favorable weather, with offerings made at planting and harvest times. Sacred sites include caves, springs, and mountain peaks where ceremonies petition for rain and agricultural abundance. The Day of the Dead (Todos Santos) is elaborately celebrated with home altars decorated with marigolds, candles, and favorite foods of deceased relatives. Saints' feast days combine Catholic masses with traditional dancing, including the Dance of the Viejitos (old men). Traditional healers (curanderos) continue practicing herbal medicine, using local plants for physical and spiritual ailments, maintaining ancient Mazahua medical knowledge.

Contemporary Mazahua Identity

Modern Mazahua communities navigate between tradition and modernity, with many people migrating to Mexico City for employment while maintaining strong ties to home villages. Mazahua women have become particularly visible in Mexico City as street vendors, often wearing traditional embroidered dress as a proud assertion of identity. Mazahua activists have organized movements defending water rights, indigenous autonomy, and cultural preservation. The Ejército Zapatista de Mujeres Mazahuas (Zapatista Army of Mazahua Women) gained attention for protests against water diversion from their communities. Contemporary Mazahua artists and writers are revitalizing cultural pride through literature in Mazahua language, documentation of traditional crafts, and educational programs teaching young people ancestral skills and knowledge.

Academic References & Further Reading

1.Albores Zárate, Beatriz. (1995). Tules y Sirenas: El Impacto Ecológico y Cultural de la Industrialización en el Alto Lerma. El Colegio Mexiquense.
2.Millán, Saúl, & Valle Esquivel, Julieta. (2003). La comunidad sin límites: Estructura social y organización comunitaria en las regiones indígenas de México. INAH.
3.Nolasco Armas, Margarita. (1963). Los Mazahuas del Estado de México. UNAM.
4.Cortés Ruiz, Efraín. (2006). San Felipe del Progreso: Una mirada histórica. Instituto Mexiquense de Cultura.
5.Oehmichen Bazán, Cristina. (2005). Identidad, género y relaciones interétnicas: Mazahuas en la Ciudad de México. UNAM.
6.García Sánchez, Magdalena. (2004). La condición de la mujer mazahua en el Estado de México. El Colegio Mexiquense.
7.Knobloch, Franz. (1979). The Art of Otomi Indians. Museum Rietberg Zurich. (Includes Mazahua textiles)
8.Sánchez Álvarez, Adriana. (2012). Bordando una identidad: La tradición textil mazahua. Artes de México.